![]() ![]() He has written for The Village Voice, Film Comment, The Los Angeles Review of Books and Nylon Magazine. Scout Tafoya is a film and TV critic, director and creator of the long-running video essay series The Unloved for. Season one of Make or Break premieres April 29 on Apple TV+. Especially when you consider that right over there the most beautiful athletic performances are happening, if the show would just point the camera at them and stop talking. It’s about modern competitive surfing culture, and that’s just not that interesting. This is perfectly fine television, but it does feel like an enormous missed opportunity. Making a show about the corporate maneuvers required to make the World Surf League happen in the face of, say, a shark attack, is antithetical to the reason to watch surfing in the first place. That’s maybe a clumsy one-to-one, but the point is, surfing is great for the part of your brain that’s simply interested in the act of watching. It’s like watching the motion paintings of Ken Jacobs. It’s the sort of pure sight that resists narrative. … and more waves!Ĭrucially, though, those projects don’t add narrative to the surfing itself. That’s why to this day, some of the best artifacts around the idea of surfing (for my money, stuff like 1987 exploitation flick Surf Nazis Must Die or the video for Interpol’s “ All the Rage Back Home“) embrace the sport’s connection to the disreputable. That 1966 surfing documentary takes a laconic, no-pressure attitude toward the idea of watching guys catch waves that are just impossible to wrap your head around, from their size to their ferocity.īut for years, the appeal (as far as I could understand, at any rate) was that surfing was one of those things like skateboarding or punk music, that people didn’t think should be taken seriously. Surfing films owe their existence to Bruce Brown’s excellent The Endless Summer. Yes, it’s compositionally erratic, but the waves themselves couldn’t be more beautiful. The editing on this show proves infuriating, because the creators don’t trust that the sight of surfing (you know … the reason the show exists?) is interesting enough without cutting through each few-seconds-long ride a dozen times just in case you turned completely around for a few seconds and then looked back. The best moments in Make or Break happen when they stop editing it like a sports competition and just show you the surfing uninterrupted. OK, but are they still thought of as hippies? How did that start? Was it ever true? Anyone? Less talking, please Surfer Tyler Wright, in one of a hundred tangents that receives no follow-up, pushback or further underpinning, says something like, “Surfers are thought of as hippies, but we’re really competitive assholes.” And they don’t for a second act like the audience for this kind of thing isn’t built in. Producers Ryan Holcomb and Erik Logan ( Billy), James Gay-Reese (dreadful Apple TV+ doc 1971: The Year That Music Changed Everything) and Paul Martin (who, like Gay-Reese, produced the sports docs Diego Maradona and The Kings) know that they’ve got a cash cow on their hands. Apple TV+ reaps that particular crop as surfer Kelly Slater returns as a talking head on this surfing competition show. You may recall, all the way back to the deeply stupid and inconsequential Greatness Code, that I suspected the only reason Apple TV+ paid for that Gotham Chopra money-laundering scheme was because the execs were hoping to forge ties with sports figures that he’d wrangled for the pleasure of being interviewed for 10 minutes about how amazing they are. ![]() But why exactly is one performance better than any other? Surfers are money Make or Break on Apple TV+ Photo: Apple TV+ When the announcers tell us we’ve seen something extraordinary, and the judges give it a perfect 10, it would be very cool to know why.Įveryone looks good on a surfboard here. But mostly, like the surfers here, you’re thrown under the waves. The series allows about 6 inches of breathing room for the uninitiated. Which of course means that nobody involved in this project thought for a second that anyone doesn’t already love surfing. Make or Break opens with a surfing journalist talking about the Wright family surfing dynasty as if we all know this stuff already. But I don’t know anything about surfing or modern surfing culture, relatively speaking. And as spectacle, it’s quite hypnotic and beautiful. There’s an unfortunate trend in the way this documentary series treats its characters (which has bafflingly already been given a second season, despite having appeared as a screener on Monday of last week ahead of its premiere today). These surfers come from all over the globe and are only united by a hunger to be the best. In the new Apple TV+ surfing documentary, you get to know Tyler Wright, Kelly Slater, Italo Ferreira, Gabriel Medina, Morgan Cibilic, Matt McGivilray, Felipe Toledo, Stephanie Gilmore and more. ![]()
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